The crying game: what Hamnet’s grief-porn debate says about women, cinema – and enormous hawks

The distinction between 'grief-porn' and 'grief-art' raises critical questions about the authenticity of emotional expression in cinema. The article suggests that the portrayal of grief, particularly through female characters, often leans towards a more profound emotional resonance, which can alienate viewers who do not share that depth of feeling. This dichotomy reflects broader societal narratives about gender and emotional expression, indicating that films may inadvertently reinforce stereotypes about women's emotionality.